Description

LEVEL: Beginning

Beginning Developmental Editing for Fiction is an online class for editors interested in working with novelists to develop their work. If you have some experience with editing but haven’t worked with fiction, then this is the class for you. We’ll cover the basics of developmental editing (what it is and isn’t), the specifics of developmental editing in fiction (for example, the specific problems and judgments calls you run into with fiction), and working effectively with novelists.

NOTE: The course focused on the craft of developmental editing rather than the business of developmental editing. It includes bonus material on finding clients, but that is not the focus of the class.

Week 1. Overview of developmental editor functions—what DE is and isn’t. Qualities and characteristics of a good DE. Assignment: Constructing diplomatic queries.

Week 2. Developing your DE eye. We’ll cover specific problems and judgment calls particular to fiction and get into the meat of the work that helps a writer go from good to great, focusing on problems such as info-dumping, starting the novel in the wrong place, head-hopping, and more. Assignment: Balancing big-picture problems with sentence-level errors.

Week 3: Identifying structural problems. In this week we’ll look at issues that can develop when something is wrong with the overall narrative arc, including problems with conflict and motivation. Assignment: Provide a developmental edit on a sample chapter.

Week 4. Working effectively with novelists—how to be a DE and not an unwelcome coauthor. Assignment: Create a revision letter for a project that outlines your suggestions for how a writer should tackle a needed rewrite.

Bonus material. Finding clients. We’ll cover how to identify your most likely areas of opportunity and how to connect with potential clients.

Instructor Jennifer Lawler is the author or coauthor of more than 30 books, including a number of novels under various pen names. A former college English teacher—try not to hold that against her—she now works as a freelance writer and book development editor. She has worked as an acquisitions editor for a romance imprint and was once a literary agent. In her spare time, she teaches copyediting for the University of California–San Diego, even though she unfortunately lives nowhere near San Diego. She earned her PhD in medieval English literature from the University of Kansas and a black belt in Taekwondo at approximately the same time. She has not quite decided which has been more useful.

“This was a good beginner course with good insights and examples—and great feedback.”

“Jennifer’s feedback was wonderful. As a freelancer I don’t get feedback often, so this was refreshing.”